Finding solace in opening new windows and classic music: John Dwyer talks with Brigid Dawson
OSEES’ (or Thee Oh Sees, OCS, Oh Sees, Orinoka Crash Suite, etc.) front person John Dwyer is one of the...
Johan Gijsen (Le Guess Who?) on the future of festivals
Utrecht based festival Le Guess Who? is one of the most special contemporary music events around the world with its...
Letters from musicians: Phil Elverum (Mount Eerie)
"I work out ideas in my mind while making dinner and doing the laundry, even while reading bedtime stories my mind wanders."...
Letters from musicians: Midori Takada
As it’s been a whole year under the pandemic conditions, we reached out to a number of musicians to hear...
“You can’t keep depending on the same tools”: Matana Roberts & Moor Mother in conversation
Matana Roberts, one of the most productive figures of New York’s spiritual jazz scene, and Moor Mother, Philadelphia based outspoken...
Letters from musicians: Damon Locks
As it’s been a whole year under the pandemic conditions, we reached out to a number of musicians to hear...
Track by track: Black Country, New Road & “For the first time”
An amazing debut, six questions, six answers and six illustrations. British band Black Country, New Road released their mind blowing...
Ancient to the Future: Art Ensemble of Chicago
Text: Cem Kayıran – Illustrations: Sadi Güran Sprung from the Association for the Advancement of Creative Musicians, under the guidance...
A Fearless Impulse: Saul Williams
Text: Cem Kayıran – Illustrations: Ethem Onur Bilgiç The career of Saul Williams spans many modes of expression. After studying...
On a sinking ship penetrated by patriarchy, what do you “choose” to do?: Future Feminism with Johanna Constantine
Interview by Ekin Sanaç Our world, which is now defined by militarized borders and a collapsed ecology, is in a...